Jena Berlin - This is Yours as Much as it is Mine

I bought this record having never actually listened to Jena Berlin. I was, and still am, a huge Restorations fan and they added a bunch of old releases to their website a while back, so I took the opportunity to stock up on a few bits. Most excitingly, they had the Little Elephant session 12", but they also had this 7" and the album by the band that a few of them were in before Restorations by the of name Jena Berlin. I figured it was worth a punt, so I bought both.

It's impossible to listen to without comparing it to Restorations, which is probably unfair - everything about it sounds so much more naive and scrappy; Restorations always sounded so sure of their sound and somehow older because of it. I don't want to use the words "mature" and it's loaded negative "immature" because it'd be doing Jena Berlin a disservice, but it's hard for those words to not pop into your mind. Restorations always felt (to me, at least) as an older-person's punk band. Jena Berlin sounds like the music they made as teenagers in comparison - there's so much energy and a slightly metal-tinged edge in places (Motion Sickness on the album jumps through a bunch of different styles, but kinda works; Oh God on this 7" is even more unexpectedly metal). For reasons I can't quite put my finger on, it reminds me of a lot of the bands we used to see in South Wales - not even in musical style, maybe it's the cheaper production or youthful energy. But there are hints of Restorations in there, along with about a hundred other influences.

As a result, I always think "I'd rather be listening to Restorations" when I play it, so I can't say I've ever listened to it purely on it's own merits. If you've thought "I wish Restorations played faster punk with a hint of metal" then you should probably check out Jena Berlin.

Format: 7", folded screen-printed sleeve
Tracks: 2
Cost: £7.70 new
Bought: Band's website
When: 03/08/17
Colour: Red
Etching: none
mp3s: download code

Mogwai - Central Belters

 

I feel like curating the Mogwai best-of must have been one of the easiest tasks whoever did it did that week; if you put their back-catalogue on shuffle and took the first three hours of songs that came up, you'd have a collection that was both a) uniquely Mogwai and b) full of bangers. It goes without saying that the actually-curated best-of is an amazing listen and a brilliant use of 12 sides of vinyl and well over three hours of your time.

My Mogwai collection still has some glaring holes, but I've been enjoying gradually working on it – one large hole is their debut album Mogwai Young Team, one of the first albums of theirs I heard (which I bought on cd in Spillers a week after buying The Hawk is Howling). Whilst under-represented here (on paper at least - do we count the original version of Summer separately? Does it's 16-minute runtime balance out the multiple shorter songs from other albums?), it is great to finally have Mogwai Fear Satan on vinyl. There's still something really pleasing about seeing one song take up a whole side of vinyl and Mogwai Fear Satan does that perfectly. It's then quite surprising that the other song that takes up a whole side of vinyl never made it onto an album, despite being a live favourite and ridiculously huge song – it takes a lot of sides of vinyl to get to My Father My King but it is absolutely worth it every time. I suspect at some point after getting most of the LPs on vinyl I'd have got round to seeking out the single, but I'm glad I've been listening to this for the last six years, rather than waiting for the point in my life when I got round to seeking it out. I love that you can see the quiet part in the grooves of the vinyl.

Mogwai have been around long enough to have a number of different eras, and I think I'm firmly a circa-2010 era guy. It might help that The Hawk is Howling was the first album of theirs I heard, but I also love Hardcore Will Never Die and I think Les Revenants is the greatest soundtrack they've done by a good distance – it’s a contender for the "best soundtrack that actually works even better as an album", running against The Fountain, which they were also involved with, although I'm never very sure how much was Clint Mansell and how much was Mogwai. Anyway, as a result I think the selections from those albums are great. The songs from Mr Beast also sound amazing, more-so than I remember them sounding on the actual LP. We're No Here sounds particularly great. The early era has some highs and some lows for me – Summer is a huge way to start (I love the way it races ahead of the xylophone) and Christmas Steps is the highlight of Come On Die Young. I've never really loved that album as much as everyone else seems to, and Cody feels like a bit of a downer here. Similarly, Stanley Kubrick from EP (or EP+6, as I know the release) is a bit nothingy. 

The odds and ends that make up the final two discs are interesting - Hugh Dallas is always good (classic slow build) and Devil Rides with it's vocals from prolific musician Roky Erickson is unexpected and a bit bizarre, but great to hear. Strangely, we get one song from Les Revenants in the usual chronological section as well as one in this section - not sure why. Personally, Hungry Face is the one I associate more with the show, but Wizard Motor is probably the better song in the usual sense. Earth Division is another nice one I wouldn't have heard. I didn't realise until just now that the song itself isn't on the Earth Division EP (which I regret not buying when I saw it in Banquet around the time it came out - I can't remember why I didn't buy it).

It'd be wrong to not dwell on just what a nice package this boxset is too. Each record has one letter from the word "Mogwai" on the cover and a selection of incredibly brightly coloured sleeves, contrasting the grey, fabric-lined outer box. The booklet is brilliantly detailed and a good read - the concert tickets and set-lists from over the years are particularly nice. All this for just under £50 is a ridiculous bargain - they could have charged twice as much and I'd still have bought it and still have been raving about how great it was.

Format: 6x 12", boxset, booklet

Tracks: 34

Cost: £49 new

Bought: Norman Records website

When: 23/10/15

Colour: Black

Etching: None

mp3s: Download code

Hot Water Music - Live in Chicago

It’s now been so long since I went to a concert that live albums are starting to take on new meanings. I bought this Hot Water Music triple live LP because at the time there was no best-of compilation and I quite liked the idea of having all their best songs in one place. And this record ticks that box and then some; just look at those first four songs – A Flight and a Crash into Remedy into Wayfarer (one of their greatest songs full stop) into Trusty Chords. What a way to start a show. That is a truly amazing run of songs, the sort you end a show with not start with. It'd be fair to say that the rest of the album doesn't hit such heights again, but how could it?

And pre-pandemic, this album was just a good way to hear all my favourite HWM songs in one place (although three discs is stretching the definition of "one place" – I could equally play Fuel for the Hate Game, A Flight and A Crash and Caution in their entireties, hear 90% of my favourite HWM songs and have got out of my seat the same number of times). But it's now been 16 months since I last went to a concert, an otherwise unfathomable gap between shows, and it's only going to get longer. So when I put the needle on this record, my mind is thrown back to the first time I saw HWM play, in a sweaty dodgy venue in Newport, South Wales surrounded by every punk I'd made acquaintances in the two years I'd lived in Cardiff - it was 9 months after I'd left for London but there was no doubt in my mind that if I was going to see HWM it'd be in South Wales. It was horrifically hot, beer-soaked and chaotic. We'd been drinking in beer gardens in the afternoon and the show was perfect. More than 10 years have passed since, but this record puts me right back there, struggling to sing along to any of the choruses (partly because I still know less than a third of the words being sung at any given point). I saw HWM twice more after that show - to a disappointingly small crowd at Reading Festival and to a raucous hometown crowd on the first night of my first Fest, but that Newport show will always be my favourite memory. And it's nice that I can take myself right back there with this record.

I've only mentioned the first four songs here so far, but there are some other great moments - "God Deciding" and Kill the Night are two of my favourite non-album songs and both get played, which is great (they'd both be missing from the alternative choice of three records I mentioned above). Moonpies for Misfits is a great slower one that I often forget about. Side 5 has the opening duo from Fuel (in reverse order) which is another huge moment on the album, and The Sense from Caution sounds amazing - it's not a song I'd ever have listed as being amongst my favourites but it's definitely up there.

This copy, as with most variants, is from the second run which featured different colour sleeves to match the records and Discogs tells me that there were 550 of each colour. I bought it one day in Banquet - I don't remember them having any other colours, but I was perfectly happy with blue. I was aware of the record before seeing it there that day, and without the tracklisting printed anywhere on the sleeve I had to trust that it'd be huge, but it was just after Christmas and I guess I just fancied spending some money. Of course £17 for a triple LP is now a bargain regardless what's actually on it.

Two years later an actual best-of compilation did come out, but I've not bought it - mostly because I have this record, which is more interesting owing to it being a live recording, but also because it doesn't have "God Deciding" and Kill the Night on (however does have Poison and Drag My Body, two of the best songs they wrote in their more recent eras). To be honest, if I saw it in a shop, I probably would buy it, but that says more about my compulsive record buying than it does the relative merits of these two albums.

Format: Triple 12", insert
Tracks: 30
Cost: £17 new
Bought: Banquet Record, Kingston
When: 04/01/13
Colour: Blue
Etching: Side A: "I love these chords" Side B: "From voice to ear" Side C: "Scarred but here" Side D: "You are not alone" Side E: "I must always remember" Side F: "This makes me whole"
mp3s: Download code