Showing posts with label Secretly Canadian. Show all posts
Showing posts with label Secretly Canadian. Show all posts

Thursday, 29 November 2018

Jason Molina - The Townes Van Zandt Covers


I have two copies of this record, a situation I entered into somewhat willingly. A good number of years ago, a Kickstarter appeared for a project about a carousel (I think) that I normally would have not even given a second thought about (as you can tell by the fact I'm not entirely sure it was even a carousel), except that one of the backer rewards was a Jason Molina record featuring some unreleased songs. My Molina collection was in its infancy, but I was keen to pick up what ever I could, so pledged for that reward. I think it was about £30 in the end, which was a lot; it wasn't clear that the record was only a two-song 7" at the time.

As is so often the case with crowdfunding, the project fell through and the money all sort of disappeared. There'd been a while where I was periodically checking for updates and getting concerned that nothing concrete had appeared - I can't remember how long that period was, but I remember having to dig through emails to figure out when the money first came out. Eventually, it all fell apart and I remember emails blaming various people - things look like they got ugly.

Secretly Canadian, the record label who released most of Jason Molina's music announced two things in 2016 - they'd be releasing those songs as a Record Store Day 7" and that they'd be sending out free copies to anyone who backed the campaign. I thought that was incredibly good of them - I imagine a lot of people lost a lot of money in that project (my £30 would seem negligible) but they had no obligation other than a desire to help the fans who had lost money; it was a great gesture. I had to prove that I had backed the campaign, so I sent off the screenshots.

I can't remember exactly when that was (I could look it up I suppose, but it seems clear I'm not going to - perhaps I'm too worried I'll see exactly how much I paid to that project and get annoyed all over again), but before the record arrived, Record Store Day came around. I think part of me was worried that the record wouldn't actually turn up, or there'd be some material difference between the two, so I decided to buy a copy on RSD anyway (what's another £8 on a day of expensive records!?). Plus, I was eager to hear the songs.

The two songs on the 7" were covers of Townes Van Zandt, a musician I'd never really heard much about, let alone consciously listened to. In the years since, I've always thought I should check out more of his music, but I still haven't; I probably will one day. I'll Be Here in the Morning is a lovely warm, live recording of a song that sounds more Magnolia Electric Co than it does Songs: Ohia, despite consisting of just guitar and voice. It's a nice song. Tower Song is a slower, sweet song. Both tend slightly more towards Americana than Jason normally does, but I guess that's the nature of the songs. Definitely worth a listen.

Anyway, as expected, a second copy appeared in the post a few weeks later. They are identical, except my free copy got damaged in the post and has the slight crease you can see in the top picture. I say "free", I technically paid about £30 for that second copy, but I didn't record it that way - in my mind I lost £30 to a crowdfunding folly and learnt an important lesson; I also got a free record - the two are related, but I drew a line under that £30 and decided not to be annoyed by it. Sometimes you just have to let things go - it makes life easier sometimes. I have no intention of selling either copy - like most RSD releases you can still pick up a copy for not too far from the original asking price (of course, it's hard to know which records will end up being worth much more vs those that are ten-a-penny after RSD). As it is, I have two copies to remind me of the dangers of crowdfunding.

Format: 7"
Tracks: 2
Cost: £8 new / free new
Bought: Truck Store Oxford / Secretly Canadian Records
When: 16/04/16 / 19/05/16
Colour: Black
Etching: none
mp3s: no



Jason Molina - The Black Sabbath Covers


Jason Molina released a huge number of records in his lifetime and, evidently, recorded enough for countless more. This is something to pleased about because I've nearly heard everything he released whilst he was alive, and I'm not ready to stop hearing new songs just yet.

When Secretly Canadian announced that they were putting out a 7" of him covering two Black Sabbath songs I ordered one straight away. It's hard to know with his releases whether they're going to be plentiful and readily available everywhere, or super-rare. I've erred on the side of caution recently and it mostly hasn't been necessary. In this case, that caution came at a price; namely the customs due on packages sent from the US (I've never really understood why some parcels do and some don't get charged extra, but it is a constant pain in the arse when buying from the States - between the shitty exchange rate, postage costs and customs charges it really is becoming expensive). I added a couple of other Molina albums to the order (What Comes After the Blues and Molina & Johnson LPs), so in my mind, the cost could be spread across the three. The LPs were still a bargain (I think they were on sale at the time), but this 7" was effectively £13, which is a lot for two songs.

It's even more for two songs when you discover that the songs together total only three-and-a-half minutes. Still, every extra minute we get to hear Jason sing is a minute worth paying for (and had I bought it more locally for £7 it'd still have been expensive and short). Those three-and-a-half minutes are, of course, lovely. Solitude works perfectly - it's slower than Molina’s usual “simple” songs, but with his gravelly voice it is every bit as dark as a Sabbath song should be. His voice struggles a bit on “crying” (which isn't a particularly difficult Ozzy-note in the original) but it's otherwise flawless. The cracks and hisses add to the warmth in true fashion. Snowblind is a bit more upbeat in the guitar-playing and a much more “rock” song for Jason. It is brutally short (a statement true of the song - 1:14, the single - 3:27, and Jason’s life in general).

The idea of Jason covering Black Sabbath excited me greatly - I knew of his early metal-years and wanted to hear how he'd approach songs by one of the first and finest metal bands. I was hoping he'd choose Sabbath songs I knew better (that is, from the first two albums) but these are wonderful and likely better than if he'd covered Iron Man or Paranoid. The b-side is etched with the ram's head from the cover (poorly photographed below) and the artwork is another excellent William Schaff drawing, the masking-tape cross a nice Black Sabbath reference.

Format: 7"
Tracks: 2
Cost: £13.45 new
Bought: Secretly Canadian Records
When: 09/12/17
Colour: Black
Etching: Image of a ram's head on b-side
mp3s: no