Wednesday 2 November 2016

The Murder City Devils - R.I.P.


When I got this record I only had two Murder City Devils album - Empty Bottles, Broken Hearts and Thelma. I was just getting into the band so it felt a bit wrong to hear their last-ever show next, but I knew copies wouldn't be that easy to find at any later point. Plus, at £8 it was a steal. I bought it in Brighton just before returning to Australia for my second semester out there; I made time to record it onto cassette before going back but after getting there was disappointed to find that I'd managed to not hit record on the second record, so for the first six months of owning this album I could only listen to the first half.

I love The Murder City Devils. Not enough bands I listen to sound anything like them - there's such an energy and power and sense of a good time - they're the sort of band that make you want to get drunk and throw yourself around to punk-rock bands (although the band will almost certainly not be as good as The Murder City Devils). This album captures their live show in a raucous and fairly shambolic way - the notes in the sleeve concede to this point but also imply that it couldn't really be any other way for a band like this. I never saw them live (something I still long to correct now they're playing shows again) but I think I would have enjoyed it greatly. As a live album, this is fairly terrible and as a final show it's also a strange one, but all that adds to its charm.

A lot of the album sounds great - the band had such a good sound - but there are some weaker moments. One Vision of May and Midnight Service suffer from what sounds like a combination of exhaustion and bad timing, which is a shame because they're great songs; Spencer has some mic issues during That's What You Get and Idle Hands, although someone steps in for some very deep backing vocals, which works well . I Want a Lot Now, Dancing Shoes, Boom Swagger and Broken Glass all sound fantastic; 18 Wheels gets played with such incredible energy that I'm impressed every time I hear it. Strangely, (for a final show) they play two new songs, Waltz and Grace That Saves, the latter of which gets the prime place of being the last song they'd ever play (until they reformed). It's not only strange because you'd typically go out on a familiar high, but also because it's just not a very good song - it drones and feels half finished, which is a shame. Had they gone out on 18 Wheels it would have been perfect.

There are a few really touching moments of stage chat throughout - at the end of Bear Away one of the band announces that it's the last show they're ever going to play with a real tremble in his voice; "these boys love you more than you will ever imagine" at the end of Boom Swagger; and when Spencer announces the last song. Each makes you feel really sad that they're breaking up, but glad they existed in the first place.

Format: 12", gatefold sleeve
Tracks: 19
Cost: £8 new
Bought: Borderline, Brighton
When: 11/01/06
Colour: Black
Etching: none
mp3s: no