Saturday 21 October 2017

System of a Down - Steal This Album!


System of a Down were one of the bands you had to like if you were into nu-metal around the year 2000. They somehow were the edgy, cool band to like, especially if it was before their second album came out. The first one, released in 1998, felt like the closest thing to an "underground hit" that the genre had, at least amongst the people I knew (which is obviously bollocks in hindsight, but felt like it at the time. Like I've said many times, the early 2000's was a dangerous time to be a teenager). Their second album, Toxicity, came out in 2001 and suddenly they were everywhere.

I got a copy of the first album in 2001, just weeks before Toxicity came out, but I'd borrowed it from a friend earlier and made a cassette copy, so knew the songs very well. On top of that, I'd bought a copy of a limited edition tour cd from a distro that a guy someone had met at a record fair was running – it had three of the album tracks twice each, the studio version and a live recording. Toxicity dropped the day after they played a great set at Reading Festival on the main stage, almost certainly winning them many more fans (I distinctly remember the maniacal look in the bassist's eyes as they walked out on stage to a song about how they're all on drugs). An enterprising record store owner who routinely had a stall at the festival stayed open until midnight to sell copies of Toxicity and Iowa, the new Slipknot album released on the same day; they must have made a killing with that festival audience.

SOAD enjoyed a lot of success from Toxicity, especially from the single Chop Suey!, which became an instant classic in rock clubs all over the country. Then they had the awkward follow-up, the difficult second album (except, in this case, the difficult third album). In 2002 they released Steal This Album!, an album I always believed to be a b-sides/rarities album, but I've just read online that it was more along the lines of leftovers from Toxicity, or even tentatively a sequel to the album. Either way, it wasn't billed as a regular album, so I certainly never listened to it as such.

The cd was released with four different designs on the cd itself, which given that it didn't have a sleeve was basically the cover of the album. I bought the one with the skull on it, which was my favourite of the lot at the time – I think the shop had at least one of each. A few months later I was in Nottingham after an open day at Lancaster University, and found this double picture disc of the album for a bargain £9.50. It was appealing in itself, but I liked that each side had one of the four covers on; it made me feel better about having picked just one of them on cd. That price seems like even more of a bargain given that copies on Discogs are now around £75.

As an album, I remember liking it less than the first two, but that was almost to be expected, given that it wasn't an album proper. A.D.D. was always the highlight and still has a huge chorus. It could have been a huge song had it been on either of the first two albums, although that awkward transition between the verse and the chorus probably needed some more work. Otherwise, there were some nice enough songs (Highway Song has the second best chorus on the album) and a few slower moments (good ones, like Mr Jack and unnecessary ones, like Roulette). A common theme was one of half-heartedness, or incompleteness - Chic 'n' Stu and I-E-A-I-A-I-O both had that fast-paced singing that Serj could so uniquely do, but piss-poor lyrics; Boom was a political song with none of the subtlety they'd shown in the past. All in all, an odd collection, but a nice enough record to own.

Format: Double picture disc 12", insert
Tracks: 16
Cost: £9.50 new
Bought: Selectadisc, Nottingham
When: 20/02/03
Colour: Picture disc
Etching: none
mp3s: no